Applications of Sustainable Architecture

Applications of Sustainable Architecture

‘Sustainability: What it means for Architecture’


This thesis considers what sustainability methods to architecture, and how architects can utilise their knowledge not to only ensure a even more green future for buildings, but for promote a better understanding of sustainability on a far wider range. The areas under study contain an appraisal of the technical, social, and financial and also energy-saving aspects of sustainable advancement. Research proposes that thorough research and study into what durability means can help the concept being more fully understood and better implemented in industry. Research is secondary, and uses a few case studies which I get selected for their relevance to my design interests in addition to which I believe represent an original and innovative approach to the theory and interpretation of sustainability in architecture.


Modern-day definitions of sustainability claim that it is a generic term which often encompasses many areas of contemporary society and industry, including structures, transport, and public living space. ‘Sustainable architecture’ has been looked as a ‘cultural construction in that , it is a label for a revised conceptualization of architecture … A ‘sustainable design’ is a creative adaptation to ecological, sociocultural in addition to built contexts (in which order of priority), supported by credible cohesive arguments. ’ This dissertation seeks to address and discuss the varied ways that they sustainability relates to architecture, which include physical constraints, impact of sustainable design, political in addition to social trends and needs, and also the availability of resources with which to construct sustainable architecture. For architects sustainability and its implications are becoming of great value in addition to importance – ultimately altering the direction of architecture as a discipline and useful science. I believe that the phrase sustainability is a term chucked around very often without much thought as to what it means often because this can be a concept of such great degree – with potentially world-changing consequences – and that the notion requires far more research if it is to be fully implemented over a mass scale.

Throughout this thesis, I actually seek to define my own specialized and creative interpretation regarding sustainable architecture by studying and learning from the do the job of others. In my structuring of the thesis I have simplified these interests to focus on several key areas as manifested by three chosen case studies. These are to include:

  • Chapter A single. Technical sustainability: Werner Sobek

This chapter examines how In german engineer and architect Werner Sobek has integrated environmentally friendly technical features into the design of his ecological home. The actual social housing Bed Zed project in London is also reviewed for its contributions to having a clearer understanding of how designer might incorporate sustainable technologies into their designs.

  • Chapter Two. Social Sustainability: Seattle Library OMA. This chapter considers the impact and function of the public building for the immediate neighbourhood, and why the development is socially important.
  • Chapter Three. Inexpensive and Energetic Sustainability at Beddington.

This chapter examines the important thing features of the Bed Zed project and what energy-saving and financial incentives the project offers to the wider community. Now one of the most well-known sustainable societal housing developments, designed by Expenses Dunster Architects, Bed Zed provides a useful and insightful point of comparison for any other studies. This allows me personally to assess the changes and enhancements which sustainable development offers undergone over the last decade.

Chapter One: Techie Sustainability: Werner Sobek

As outlined by Stevenson in addition to Williams the main objectives regarding sustainability include significantly lessening greenhouse gas emissions, lessening resources, creating well-structured as well as cohesive homework website communities, and maintaining a consistent and successful financial system. For architecture these ideas have opened up a new marketplace involving use of alternative generally re-usable materials, which offers often the architect space to experiment with new designs. A considerable body of exploration exists into the best utilization of construction materials, offering advice to architects and construction companies. For example , in 2050 The Building Research Establishment printed a paper called a ‘green’ guide to construction materials that presents Life Cycle Analysis studies of various materials and the environmental impacts. Whereas Energy Efficiency Best Practice in Housing have already established by way of research that there is global force to ensure that construction materials usually are sustainable.

Sobek’s design of his own sustainable residence has been described as ‘an environmental show house of highly accurate minimalism. ’ Its primary design is of a cube wrapped in a glass face shield, where all components are generally recyclable. The most obviously ecological technical feature is the building’s modular design – wine glass panels and a steel body, which forms a lightweight framework. Sorbek’s work illustrates a superior degree of thought behind often the architect’s conceptual understanding of durability. Sorbek has obviously seriously considered what sustainability means and has now implemented his knowledge to produce an example from which future experts will learn. In Sobek’s work we see the high degree that he has embraced new technology then made sophisticated use of new components, while also maximising person comfort by incorporating sensor and also controlling technology. Furthermore, the use of arbitrarily convertible ducts the actual use of traditional composites unnecessary. Thus, Sorbek is advancing the discipline of ecological architecture, branching out straight into bolder, and stranger models, which displace the functionality along with detract saleability from regular designs.

In contemporary sustainable designs there needs to be a regularity as well as simplicity of form instructions as this seems best to reflect the sustainable philosophy on the architect. As Papenek mentioned of the designs of ecologically vulnerable projects: ‘common sense should prevail when a design is planned. ’ Considering the example of Sobek it is clear which sustainable building – despite the fact that fairly simple – can nonetheless draw from a range of assumptive models in its designs. Like the influence of traditional, even classical traditions will never be entirely absent from modern-day design; moreover contemporary lasting designs require a re-assessment involving architectural theory and training. As Williamson et geologi phrases it:

‘’green’, ‘ecological’, and ‘environmental’ are labels that incorporate the notion that the design of houses should fundamentally take consideration of their relationship with and also impact on the natural environment .. brands refer to a particular strategy exercised to achieve the conceptual outcome, plus the strategies that occur in some sort of discourse must be understood because instances from a range of assumptive possibilities. The promotion of your restricted range of strategic options regulates the discourse plus the ways of practising the discipline .. Overall, practitioners modify their particular concept of their discipline to help embrace these new subjects, concerns and ways of practice. ’

Ways these theoretical influences could possibly be expressed include experiments inside symmetry, and regularity connected with form. Very often, as shown by Sobek’s work, the particular sustainable features require certain areas of space which can be single under the more common purpose of doing work collaboratively. At Bed Zed in London any aesthetic compromises are more than compensated intended for by the provision of its own renewable energy. Forms, although not focused or ornamental do abide by the Vitruvian principles of symmetry, where symmetry is described as:

‘A appropriate agreement between the members of the work itself, and regards between the different parts and the whole general scheme, in accordance with a particular part selected as standard. ’

Within the BedZed project the regular structure, consisting of the assimilation of many component parts, reflects typically the sense of collaboration within the different companies which joined up with forces to create BedZed, nicely community feel amongst the those who live there. There is certainly a sense completeness, deriving from the existence of many different units, fortified by sustainable features, wherever vents of varying shades detract from the strict uniformity of forms, creating a light-hearted and ‘sunny’ aspect. Obtain and symmetry are vital to the design, as without these principles the amalgamation involving materials and technological equipment has the potential to look messy. In both Sorbek’s project including Beddington the presence of many windows, and solar panelled homes, will come to symbolise not a lost tradition of architecture, but the securing of conceptual ideologies which aim to combine practicality with ecological appear principles and materials.